The series of five alabaster portraits of Marina Abramović created in collaboration with Factum Arte in 2013, is currently on long-term display in Alaior, Menorca, as part of LôAC - Alaior Contemporary Art.
LôAC is the result of an agreement between the town of Alaior and private art collectors. From June 17th 2021, over 140 contemporary art works from private collections will be on loan for a minimum of three years.
On 9th June, Rachid Koraïchi inaugurated his latest project, Le Jardin d’Afrique (The Garden of Africa), in the presence of UNESCO Director General Audrey Azouley. Built as a memorial resting place in Zarzis, Southern Tunisia, for the many migrants drowned while crossing the Mediterranean Sea, it is a non-denominational cemetery, garden and DNA database through which the artist proves once again that art can deal with the most important subjects, encourage compassion and make a difference in the face of great suffering.
Through October Gallery, Koraïchi describes Le Jardin d’Afrique as 'a walled garden, where geometrically laid out tombs are shaded by trees and scented herbs. The walkways dividing the rows of tombs are ornamented with tiles covered with talismanic glyphs, hearts and other auspicious signs. The garden is also populated by the figures of ‘those who pray’, representing family and friends in far-off lands as well as patrons, supporters and visitors who come to pay their respects.'
Factum Arte has rematerialised and donated two of the tombstones recorded in 2016 in Kala-Koreysh, Dagestan, Russia, linking back to the artist’s ancestors. While the tombstone will be installed soon in Jardin d’Afrique, we want to address our profound respect for Rachid Koraïchi’s oeuvre and empathy.
As part of the Saison Africa 2020 in Paris, El Anatsui was commissioned with the opening event in La Conciergerie, also known as Palais de la Cité.
For En quête de liberté (20 May 2020 - 14 November 2021), a collaboration between El Anatsui, October Gallery and Factum Arte, our team produced a new work centered on two video installations projected onto platforms located next to the central pillars of the Salle des Gens d’Armes.
'En quête de liberté', detail of the installation, 2020. El Anatsui © Eric Sander - CMN
Grayson Perry has been at work to make a large bell. It's Factum Foundation's first 'Art-Bell' commission on behalf of The London Bell Foundry, which demonstrates the new business model aimed at reviving the bell making industry. With the help of Nigel Taylor, who worked at the Whitechapel Bell foundry for 40 years, Grayson has created his Covid Bell, a commemorative artwork that will be rung to celebrate the end of the pandemic, the great work of the NHS staff, and that will toll for all those we have lost.
Modelled in clay in Grayson’s studio, it was scanned in 3D by Gabriel Scarpa during the past days. It will be enlarged, 3D printed, moulded and cast in collaboration with Pangolin Foundry in Gloucestershire. Pangolin has been an active supporter of the campaign to revitalise bell making and merge the traditional skills with new casting technologies. Grayson Perry’s Covid Bell will be the first of many fine art commissions The London Bell Foundry committed to make during the Public Inquiry. The plan for the Covid Bell is to make a tour of the hospitals in England, where the public and the NHS can engage directly with it in a series of moving emotional and cathartic events. This is the role bells have always played throughout history and human memory. Bells have their own voice. It is intended that the Covid Bell will end its journey in front of the Covid research labs in Oxford, saluting the importance of technology and innovation.
Tracing Fallen Sky was a new production for Sarah Sze, following a first collaboration with Factum Arte in 2018 for Split Stone (7:34) and Split Stone (Northwest).
The sculpture is made of 115 individual stainless steel pieces, cast from 3D-printed models, on top of which a custom-bent curve of polished sheets of metal was welded. Tracing Fallen Sky was made for the artist's second solo show at the Fondation Cartier pour l’art contemporain ('Night into Day', 24 October 2020 - 30 May 2021).
On 19 October, a tour of the exhibition was livestreamed on social media, with French philosopher Bruno Latour joining the artist in a promenade-conversation around the installations. Although Fondation Cartier was closed on 29 October due to COVID-19 restrictions, this insightful conversation is a great opportunity to enjoy the exhibition in virtual form. Click here to watch the tour
Sarah Sze, Tracing Fallen Sky, exhibition 'Night into Day', Fondation Cartier pour l'art contemporain, Paris, 2020. Photo © Luc Boegly
The video animation created by Grégoire Dupond for the exhibition 'The Arts of Piranesi' at the Fondazione Giorgio Cini in 2010 was on show at Museo Carmen Thyssen, in Malaga, for the exhibition Piranesi. Estampas de un visionario (April 22 - July 25 2021).
The solo exhibition 'Tears that Taste of the Sea' (13 April - 12 June 2021) at October Gallery, London, brings together for the first time four elements from the series 'Le Jardin d'Afrique', Rachid Koraïchi's new project. A new series of calligraphic figures (Les Vigilants), made of water jet-cut corten steel and painted in black, was produced earlier this year and is on show.
Built by the artist, 'Le Jardin d'Afrique' is a non-denominational cemetery, garden and DNA database in Zarzis, Tunisia for people who drowned while crossing the Mediterranean. Koraïchi aims to prove that art can really deal with the most important subjects, encourage compassion and empathy and make a difference in the face of great suffering. The graveyard will feature rematerialisations of two tombstones recorded in 2016 for the Zarzis cemetery in Dagestan, in agreement with Zumrud Suleymanova, former Minister of Culture in Dagestan.
Factum Arte and Rachid Koraïchi also worked on the production of a new tapestry which will form part of Jardin d’Afrique. Factum’s tapestry studio worked with Marcos Ludueña on the digital file and the colour selection before the tapestry was woven on Jacquard looms at Flanders Tapestries in Belgium.
Following the end of the exhibition 'Raffaello (1520 - 1483)' at the Scuderie del Quirinale in Rome, Factum Arte has installed the recreation of the tomb of Raphael in Urbino.
The monumental structure will remain on display in the Chiesa dei Carmelitani Scalzi from May 15 2021 until 2031, in accordance with the decision of the State Property office. The installation was an idea of the deputy mayor Vittorio Sgarbi and made possible by the mayor Maurizio Gambini. The tomb will form part of the city’s cultural and historical itinerary for visitors interested in Raphael's life in Urbino, as the church is located next to Raphael's monument and his birthplace.
Aura and Twilight, two new sculptures made at Factum Arte with glass bricks produced at Berengo Studio for Shirazeh Houshiary, were on display at Lehmann Maupin as part of the exhibition 'A Thousand Folds' (April 8 – May 28).
For Noor Riyadh 2021, commissioned by the Royal Commission for Riyadh City (RCRC) as a Riyadh Art program, Ahmed Mater collaborated with Factum Arte to develop the concepts he began to explore in 2017 with his piece Mitochondria: Powerhouses. The site-specific installation was composed of a 2 million volt Tesla coil, capable of electrical discharges of up to 2m, surrounded by six sculptures produced by Factum Arte resembling fulgurite - vitrified sand that naturally forms when lightning hits the ground.
For his outdoor exhibition at Centro de Cultura Contemporánea Condeduque in Madrid, Carlos Garaicoa collaborated with Factum Arte for the creation of the central piece of the site-specific installation Broken Line of Horizon (Linea Rota de Horizonte): a single bronze tree emerged among a group of stumps arranged in grids. The platanus occidentalis is a common sight in Madrid streets and a recreation was cast at Esfinge Foundry, before being sand-blasted and finished at Factum Arte's workshop.
The exhibition is touring to Santiago de Compostela in Galicia (Didac) and to London (Goodman Gallery) after concluding in Madrid (March 17 - April 26 2021).
Factum Arte is delighted to have collaborated with the Frick Collection in New York for an unprecedented contextualization of Francesco da Sangallo's bronze St John Baptising. The statuette is on display on top of a recreation of the marble baptismal font where it originally stood, in the church of Santa Marie delle Carceri in Prato, Italy.
In the summer of 2020, the original font was recorded in high resolution by Factum Foundation using structured white light scanning. A team of craftsmen from Factum Arte then worked on recreating the marble stoop without the oxidisation and cracks that the original one presents after more than four hundred years of use.
More on the project
A new large-scale and site-specific installation for Ahmed Mater is being shipped to its destination and a Factum team will follow later in the month to complete the setting up.
More information coming soon.
New printed works and lightboxes are also being prepared as part of Factum's ongoing collaboration with Ahmed Mater.
We are delighted to bring our collaboration with Canon Production Printing to the next level with the installation of an elevated printing system in our workshops in Madrid. Factum Arte and Factum Foundation have been working closely with Canon since 2015, applying their elevated printing technology to the reproduction of exact facsimiles using Factum’s approach to 3D scanning and colour management.
The new solution will enable us to use a Canon customised flatbed UV printer to print multiple stacked layers in Factum’s workshops, resulting in the re-creation of the surface of paintings that are accurate to a few microns.
After the recording carried out by Factum Foundation in June 2020, an exact facsimile of Caravaggio's Burial of St. Lucy was created by Factum Arte for the exhibition 'Caravaggio. Il Contemporaneo - In dialogo con Burri and Pasolini' at Mart Rovereto (October 9th 2020 - April 18th 2021), where the original is now on display among a selection of contemporary works and photographs, encouraging new conversations and emphasising Caravaggio's spiritual relevance.
The painting, which measures 4.08 x 3 meters, was recorded in high resolution using the Lucida 3D scanner, conceived and developed by artist and engineer Manuel Franquelo, and panoramic colour photography. Permission to record was granted by the FEC (Fondo Edifici di Culto), to which the digital data will belong.
The virtual exhibition 'Shezad Dawood: Nets' at Timothy Taylor's online view room (5 November – 12 December 2020) presented an edition of Hybrid I, a coral sculpture which aims to raise attention to the dissemination of climate and biodiversity research, and explore the intersection between species, ecosystems and technology.
A specimen of Acropora loripes was used as reference for Factum's 3D artist Irene Gaumé to create a model, which was 3D printed in sections at Factum Arte and then cast in bronze. Both the artwork and its polyurethane base were painted with some areas coated with fluorescent paint.
More on the process
© Shezad Dawood, Hybrid I, 2020, bronze with custom luminescent paint finish, each edition uniquely hand painted, 25 x 25 x 19,5 cm. Courtesy of the Artist and Timothy Taylor, London
In May 2019, Puerto Rico-based artists Jennifer Allora and Guillermo Calzadilla approached Factum Arte with an ambitious project involving the creation of a 14-metre-tall fossilized Scots pine tree (pinus sylvestris) sculpture in resin and fiberglass for the exhibition Allora and Calzadilla: Spectres of Noon.
The final result of this first collaboration was on show at the Menil Collection in Houston, Texas (September 26, 2020 – June 20, 2021).
'I often allow the material to lead my process, stimulating new ways of thinking and seeing. Dichroic's rainbow-colored iridescent finish changes color depending on the light in the room and the angle of the viewer.'
— Paula Crown
After acquiring a special vintage of wine, artist Paula Crown asked Factum Arte to design and produce a custom-made wine case in dichroic glass: the artist's vision involved precision work to create a multi-faceted top-opening volume made of iridescent surfaces.