Shezad Dawood, 2016
164 x 35 x 35 cm
Heads: white painted bronze & artificial snow
Plinth: white painted concrete, iron & artificial snow

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Shezad Dawood had already worked with Factum Arte in 2015 to produce Why Depend on Space and Time, a large-scale ¨quantum portrait¨ of American counter-culture author Robert Anton Wilson, and in May 2016, a second collaboration was established. Dawood´s new commission saw the production of two busts, made from a merge of different photographs of two chosen spiritual characters.

Final works by Shezad Dawood


Images of the busts of both Buddhist monk Ekai Kawaguchi, and of French explorer & spiritual figure Alexandra David-Néel, were carefully selected by the artist from the internet. The images, taken from different periods of each person´s life, were sent to Factum´s 3D modeler, Irene Gaumé, who digitally fused, modeled and retouched both sets of images manually using ZBrush software - the result: unique 3D models of both figures.

3D digital model (modeled by hand by Irene Gaumé with ZBrush software) of French explorer Alexandra David-Néel

Heads and plinths of both busts underwent different materialisation processes. Because of this, each 3D model was digitally divided.

Both the Néel and Kawaguchi heads were 3D printed in polyamide. Moulds of the two 3D prints were subsequently taken and cast in bronze at the Factum Arte warehouses. Once complete, the team, led by Sebastian Beyro, painted the heads in white and covered both works in artificial snow. The artist himself helped complete this phase when he visited Factum Arte in Madrid from the 27th to the 29th July 2016.

Heads of both characters were 3D printed in polyamide, moulded, cast in bronze and painted in white


Shezad Dawood applying the final layer of white paint onto the bronze Kawaguchi head during his visit to the Factum studios in July 2016

Shezad Dawood and Adam Lowe, observing the painted head

The modeled busts were first routed in polystyrene on the Kuka 7-axis robot. The milled polystyrene blocks subsequently underwent moulding and cement casting. A strengthening iron rod and wood structure was also made and integrated within the mould, in preparation for cement casting. These crucial steps were carried out by Factum Arte's Sebastian Beyro, Jose Menendez and Javier Barreno. The cement busts were then painted in white and finished with a layer of artificial snow. Once complete, the plinths and corresponding heads were slotted together and finished by hand.

The Kuka 7-axis robot milling a block of high-density polystyrene

Moulds ready for metal structure insertion and cement casting

Heads and corresponding plinths fitted together, ready for finishing touches

The two busts were exhibited at Shezad Dawood´s solo exhibition at the Timothy Taylor in London from the 16th September to the 22nd October 2016.

The final works installed at the Timothy Tayor during the Kalimpong exhibition

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